“If I was to play again it would be with musicians … some of them might be new to you. I haven’t put the musicians together, I’m going to do that next year.”
This mix, officially called “The Rain Song (Mix Minus Piano),” almost sounds like a different song without its signature piano. Or, at least a much sadder one.
Plant and the Sensational Space Shifters do today what Plant did with Led Zeppelin in the ’60s and ’70s: combine different forms of music in powerful new ways.
Company spokesperson Greenwood is at a loss for exactly what to rename the flavor if they decide to do so.
The newest Zeppelin reissues arrive on Oct. 28 and follow previous reissues of the band’s first three records earlier this year.
He also discusses his new band, the Last Internationale.
Both reissues are out Oct. 28.
Despite being one of the most respected and commercially successful bands in rock history, Led Zeppelin have gotten into trouble more than nearly any other artist when it comes to copyright infringement.
The connection between rock and rollers isn’t easy to figure out, but luckily a few very smart, diligent people over at Pop Chart Lab have drawn it out for you.
The song is a rough mix that begins with a few melodic organ and ends with a bluesy psychedelic breakdown. There are no real vocals, but if you listen close you can hear Robert Plant wailing in the background.
He had no further comment on the subject.
Attorney Francis Alexander Malofiy will try to prevent ‘Led Zeppelin IV’ from being reissued, if he’s not stripped of his license first.
Jimmy Page will be on hand to discuss the previously unheard material.
Speaking with Radio.com about the upcoming series of remastered Led Zeppelin albums, Page discussed rock critics, the value of the new companion discs (“a wonderful portal”) and keeping the band’s legacy intact.
The band claims that the opening notes of “Stairway to Heaven” – one of the most iconic riffs of all time – mimic the same chord progression of Spirit’s song, which appeared on their 1968 debut.
The tracks range from live versions of old classics to brand new mixes, particularly on ‘III.’